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UID:news358@ethnologie.philhist.unibas.ch
DTSTAMP;TZID=Europe/Zurich:20240802T164741
DTSTART;TZID=Europe/Zurich:20240810T184500
SUMMARY:O Sagrado: Sacral Musealisation and Curatorial Intention at Museu A
 fro Brasil Emanoel Araujo 
DESCRIPTION:Zainabu Jallo is contributing as a presenter to the panel "Spir
 itual Repair: Post-Secular Black Atlantic Arts" at the ACASA Symposium.\\r
 \\nThe panel explores how the spiritual has been transmitted in popular an
 d modern Black art in a context defined by secularism. This panel invites 
 papers that address the spiritual in African and Black arts across the wor
 ld\, situating spirituality in a post-secular Black Atlantic. Recognizing 
 the important work of the Indian art historian Partha Mitter\, to what ext
 ent should spirituality be understood as an orientation developed and circ
 ulated in the context of empire? Positing that coloniality was founded on 
 secularism\, to what extent can we understand the embrace of the spiritual
  in Black visual and material arts as spiritual repair?
X-ALT-DESC:<p>Zainabu Jallo is contributing as a presenter to the panel "Sp
 iritual Repair: Post-Secular Black Atlantic Arts" at the ACASA Symposium.<
 /p>\n<p>The panel explores how the spiritual has been transmitted in popul
 ar and modern Black art in a context defined by secularism. This panel inv
 ites papers that address the spiritual in African and Black arts across th
 e world\, situating spirituality in a post-secular Black Atlantic. Recogni
 zing the important work of the Indian art historian Partha Mitter\, to wha
 t extent should spirituality be understood as an orientation developed and
  circulated in the context of empire? Positing that coloniality was founde
 d on secularism\, to what extent can we understand the embrace of the spir
 itual in Black visual and material arts as spiritual repair?</p>
DTEND;TZID=Europe/Zurich:20240810T204500
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